A re-imagining of Franz Schubert's Sonata in A minor, D. 784 — unilaterally re-realized as an auditory structure opposed to the physical-acoustical ‘character’ of Schubert's conception (an abstracted cultural form) and acognitively aligned with Tony Conrad's predisposition to just-intonation, the immanence of sound, and free of what Henry Flynt would have described as ‘cognitive pretensions’.
View A Minor Schubert For Tony Conrad in the digital garden.